Carlotta Bailly-Borg (France, 1984) lives and works in Brussels. Her practice has taken shape, non-hierarchically, through several media, from drawing and painting on canvas to ceramics, fresco, and reverse painting on glass. In her work she makes a broad range of references collide, crash into, contaminate one another until they form a new pictorial and fictional space. Protagonists of these representations are the anthropomorphic forms she depicts: timeless, effectively depicted as medieval illuminations, non-gendered yet sexual, they are vectors of a narration which is complexly interwoven and richly layered. Bailly-Borg graduated at the École Nationale Supérieure d’Arts de Cergy in 2010, and was an artist-in-resident in Le Pavillon, Palais de Tokyo (2013). She presented her work at Goldsmiths CCA, London (2020), Praz Delavallade, Paris (2020), Efremidis Gallery, Berlin (2020), Palais de Tokyo, Paris (2019), Fondation Ricard, Paris (2019), Baltic Triennial 13, South London Gallery / Kunstihoone, Tallinn (2018), Attic, Brussels (2017), CNEAI, Chatou (2017) / Karma International, Los Angeles (2016), Galerie Nathalie Obadia, Paris (2015), Onomatopée, Eindhoven (2015) and Palais de Tokyo, Paris (2013), among others.