On August 27th, 2019, Alina Vergnano and Mattia Lullini interviewed Belgian artist Tom Volkaert in the Trappscen of Göteborgs Stadsbiblioteket live as an open access event. The panel talk was anticipating XXX, Volkaert’s solo show with NEVVEN which opened on August 29th, 2019. The interview was recorded live with the audience.
Tom-Volkaert-XXX-at-NEVVEN-9.jpg
Tom Volkaert, Baron & Sister of Peritonono (Young, not Rich, not Famous) (detail), 2019 (Epoxy resin and ceramics, 200 x 100 x 60 cm).
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Installation view of Very Very Very Very Very Very Very Good Times at Hole of The Fox (2015)
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Tom Volkaert, Only Tears of Joy, 2015
5-2.jpg
Tom Volkaert, concrete sculpture detail (2015)
Tom-Volkaert-XXX-at-NEVVEN-7.jpg
Installation view.
6-2.jpg
Installation view of Very Very Very Very Very Very Very Good Times at Hole of The Fox (2015)
7-2.jpg
Tom Vokaert, early ceramics (2016).
8-2.jpg
Tom Volkaert, epoxy sculpture (2019)
10-1.jpg
Tom Volkaert, Le Minestrone (Selfportrait), 2018.
11-1.jpg
Tom Volkaert, epoxy sculpture (2019)
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Tom Volkaert at work in the studio. (Picture courtesy of Vent de Fôret)
Tom-Volkaert-XXX-at-NEVVEN-21.jpg
Tom Volkaert, Dat Burgundian Boy, 2019 (Ceramics, 30 x 20 x 15 cm).
14-1.jpg
Tom Volkaert at work inside NEVVEN installing XXX (2019).
Tom-Volkaert-XXX-at-NEVVEN-17.jpg
Tom Volkaert, Better to Work Around the Clock Than to Clock Around the Work, 2019 (Epoxy resin, silicone and spray paint, 30 x 30 x 5 cm).
1-2.jpg
Tom Volkaert, Alina Vergnano and Mattia Lullini at Göteborgs Stadsbiblioteket during the recording of the podcast.

  • Nevven Views #8
    Tom Volkaert
    May 2020

    On August 27th, 2019, Alina Vergnano and Mattia Lullini interviewed Belgian artist Tom Volkaert in the Trappscen of Göteborgs Stadsbiblioteket live as an open access event. The panel talk was anticipating XXX, Volkaert’s solo show with NEVVEN which opened on August 29th, 2019. The interview was recorded live with the audience.

    Tom-Volkaert-XXX-at-NEVVEN-9.jpg
    Tom Volkaert, Baron & Sister of Peritonono (Young, not Rich, not Famous) (detail), 2019 (Epoxy resin and ceramics, 200 x 100 x 60 cm).
    Tom Volkaert, Baron & Sister of Peritonono (Young, not Rich, not Famous) (detail), 2019 (Epoxy resin and ceramics, 200 x 100 x 60 cm).
    2-3.jpg
    Installation view of Very Very Very Very Very Very Very Good Times at Hole of The Fox (2015)
    Installation view of Very Very Very Very Very Very Very Good Times at Hole of The Fox (2015)
    3-3.jpg
    Tom Volkaert, Only Tears of Joy, 2015
    Tom Volkaert, Only Tears of Joy, 2015
    5-2.jpg
    Tom Volkaert, concrete sculpture detail (2015)
    Tom Volkaert, concrete sculpture detail (2015)
    Tom-Volkaert-XXX-at-NEVVEN-7.jpg
    Installation view.
    Installation view.
    6-2.jpg
    Installation view of Very Very Very Very Very Very Very Good Times at Hole of The Fox (2015)
    Installation view of Very Very Very Very Very Very Very Good Times at Hole of The Fox (2015)
    7-2.jpg
    Tom Vokaert, early ceramics (2016).
    Tom Vokaert, early ceramics (2016).
    8-2.jpg
    Tom Volkaert, epoxy sculpture (2019)
    Tom Volkaert, epoxy sculpture (2019)
    10-1.jpg
    Tom Volkaert, Le Minestrone (Selfportrait), 2018.
    Tom Volkaert, Le Minestrone (Selfportrait), 2018.
    11-1.jpg
    Tom Volkaert, epoxy sculpture (2019)
    Tom Volkaert, epoxy sculpture (2019)
    12-2.jpg
    Tom Volkaert at work in the studio. (Picture courtesy of Vent de Fôret)
    Tom Volkaert at work in the studio. (Picture courtesy of Vent de Fôret)
    Tom-Volkaert-XXX-at-NEVVEN-21.jpg
    Tom Volkaert, Dat Burgundian Boy, 2019 (Ceramics, 30 x 20 x 15 cm).
    Tom Volkaert, Dat Burgundian Boy, 2019 (Ceramics, 30 x 20 x 15 cm).
    14-1.jpg
    Tom Volkaert at work inside NEVVEN installing XXX (2019).
    Tom Volkaert at work inside NEVVEN installing XXX (2019).
    Tom-Volkaert-XXX-at-NEVVEN-17.jpg
    Tom Volkaert, Better to Work Around the Clock Than to Clock Around the Work, 2019 (Epoxy resin, silicone and spray paint, 30 x 30 x 5 cm).
    Tom Volkaert, Better to Work Around the Clock Than to Clock Around the Work, 2019 (Epoxy resin, silicone and spray paint, 30 x 30 x 5 cm).
    1-2.jpg
    Tom Volkaert, Alina Vergnano and Mattia Lullini at Göteborgs Stadsbiblioteket during the recording of the podcast.
    Tom Volkaert, Alina Vergnano and Mattia Lullini at Göteborgs Stadsbiblioteket during the recording of the podcast.

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