all dreams, all stone installation view.
all dreams, all stone installation view.
Letizia Lucchetti, Forever Safe, the Secret to Their Deeds, 2023 (Oil on canvas, 200 x 170 cm).
Letizia Lucchetti, Forever Safe, the Secret to Their Deeds, 2023 (Oil on canvas, 200 x 170 cm).
Letizia Lucchetti, Forever Safe, the Secret to Their Deeds (detail), 2023 (Oil on canvas, 200 x 170 cm).
Letizia Lucchetti, Forever Safe, the Secret to Their Deeds (detail), 2023 (Oil on canvas, 200 x 170 cm).
Letizia Lucchetti, Forever Safe, the Secret to Their Deeds (detail), 2023 (Oil on canvas, 200 x 170 cm).
Letizia Lucchetti, Forever Safe, the Secret to Their Deeds, 2023 (Oil on canvas, 200 x 170 cm).
all dreams, all stone installation view.
Toshio Shibata, Iitate Village, Fukushima Prefecture, 1990 [Gelatin silver print, edition of 25, frame, 63,5 x 78 cm (framed)].
Toshio Shibata, Iitate Village, Fukushima Prefecture, 1990 [Gelatin silver print, edition of 25, frame, 63,5 x 78 cm (framed)].
Toshio Shibata, Iitate Village, Fukushima Prefecture, 1990 [Gelatin silver print, edition of 25, frame, 63,5 x 78 cm (framed)].
all dreams, all stone installation view.
Emelie Sandström, Swan, 2023 (Aluminium, 57 x 20 x 4 cm).
Emelie Sandström, Swan, 2023 (Aluminium, 57 x 20 x 4 cm).
Emelie Sandström, Swan, 2023 (Aluminium, 57 x 20 x 4 cm).
Emelie Sandström, Swan, 2023 (Aluminium, 57 x 20 x 4 cm).
all dreams, all stone installation view.
Lera Dubitskaya, Caterpillar, 2023 [Oil and coloured pencils on paper, frame, 32,5 x 27,5 cm (framed)].
Lera Dubitskaya, Caterpillar, 2023 [Oil and coloured pencils on paper, frame, 32,5 x 27,5 cm (framed)].
Lera Dubitskaya, Caterpillar, 2023 [Oil and coloured pencils on paper, frame, 32,5 x 27,5 cm (framed)].
Lera Dubitskaya, Caterpillar, 2023 (Oil and coloured pencils on paper, 12,2 x 14,8 cm).
Toshio Shibata, Kawasaki Town, Miyagi Prefecture, 1990 [Gelatin silver print, edition of 25, frame, 63,5 x 78 cm (framed)].
Toshio Shibata, Kawasaki Town, Miyagi Prefecture, 1990 [Gelatin silver print, edition of 25, frame, 63,5 x 78 cm (framed)].
Letizia Lucchetti, Cake Ride, 2023 (Oil on canvas, 95 x 75 cm).
Letizia Lucchetti, Cake Ride, 2023 (Oil on canvas, 95 x 75 cm).
Letizia Lucchetti, Cake Ride (detail), 2023 (Oil on canvas, 95 x 75 cm).
Lera Dubitskaya, Mold, 2022 [Oil and coloured pencils on paper, frame, 32,5 x 27,5 cm (framed)].
Lera Dubitskaya, Mold, 2022 [Oil and coloured pencils on paper, frame, 32,5 x 27,5 cm (framed)].
Lera Dubitskaya, Mold, 2022 (Oil and coloured pencils on paper, 14,8 x 12,1 cm).
all dreams, all stone installation view.
all dreams, all stone installation view.
Letizia Lucchetti, Forever Safe, the Secret to Their Deeds, 2023 (Oil on canvas, 200 x 170 cm).
Letizia Lucchetti, Forever Safe, the Secret to Their Deeds, 2023 (Oil on canvas, 200 x 170 cm).
Letizia Lucchetti, Forever Safe, the Secret to Their Deeds (detail), 2023 (Oil on canvas, 200 x 170 cm).
Letizia Lucchetti, Forever Safe, the Secret to Their Deeds (detail), 2023 (Oil on canvas, 200 x 170 cm).
Letizia Lucchetti, Forever Safe, the Secret to Their Deeds (detail), 2023 (Oil on canvas, 200 x 170 cm).
Letizia Lucchetti, Forever Safe, the Secret to Their Deeds, 2023 (Oil on canvas, 200 x 170 cm).
all dreams, all stone installation view.
Toshio Shibata, Iitate Village, Fukushima Prefecture, 1990 [Gelatin silver print, edition of 25, frame, 63,5 x 78 cm (framed)].
Toshio Shibata, Iitate Village, Fukushima Prefecture, 1990 [Gelatin silver print, edition of 25, frame, 63,5 x 78 cm (framed)].
Toshio Shibata, Iitate Village, Fukushima Prefecture, 1990 [Gelatin silver print, edition of 25, frame, 63,5 x 78 cm (framed)].
all dreams, all stone installation view.
Emelie Sandström, Swan, 2023 (Aluminium, 57 x 20 x 4 cm).
Emelie Sandström, Swan, 2023 (Aluminium, 57 x 20 x 4 cm).
Emelie Sandström, Swan, 2023 (Aluminium, 57 x 20 x 4 cm).
Emelie Sandström, Swan, 2023 (Aluminium, 57 x 20 x 4 cm).
all dreams, all stone installation view.
Lera Dubitskaya, Caterpillar, 2023 [Oil and coloured pencils on paper, frame, 32,5 x 27,5 cm (framed)].
Lera Dubitskaya, Caterpillar, 2023 [Oil and coloured pencils on paper, frame, 32,5 x 27,5 cm (framed)].
Lera Dubitskaya, Caterpillar, 2023 [Oil and coloured pencils on paper, frame, 32,5 x 27,5 cm (framed)].
Lera Dubitskaya, Caterpillar, 2023 (Oil and coloured pencils on paper, 12,2 x 14,8 cm).
Toshio Shibata, Kawasaki Town, Miyagi Prefecture, 1990 [Gelatin silver print, edition of 25, frame, 63,5 x 78 cm (framed)].
Toshio Shibata, Kawasaki Town, Miyagi Prefecture, 1990 [Gelatin silver print, edition of 25, frame, 63,5 x 78 cm (framed)].
Letizia Lucchetti, Cake Ride, 2023 (Oil on canvas, 95 x 75 cm).
Letizia Lucchetti, Cake Ride, 2023 (Oil on canvas, 95 x 75 cm).
Letizia Lucchetti, Cake Ride (detail), 2023 (Oil on canvas, 95 x 75 cm).
Lera Dubitskaya, Mold, 2022 [Oil and coloured pencils on paper, frame, 32,5 x 27,5 cm (framed)].
Lera Dubitskaya, Mold, 2022 [Oil and coloured pencils on paper, frame, 32,5 x 27,5 cm (framed)].
Lera Dubitskaya, Mold, 2022 (Oil and coloured pencils on paper, 14,8 x 12,1 cm).

Lera Dubitskaya
Letizia Lucchetti
Emelie Sandström
Toshio Shibata
all dreams, all stone
NEVVEN GÖTEBORG
Jun 8 — Sep 3, 2023

  • NEVVEN is proud to present all dreams, all stone, a group show featuring new works by Warsaw based Belarusian artist Lera Dubitskaya, Italian artist Letizia Lucchetti, Swedish artist Emelie Sandström, and two works from the archive of legendary Japanese photographer Toshio Shibata. With Dubitskaya, Lucchetti and Shibata at their first ever exhibition in Sweden, and inspired by a poem by American poet Eileen Myles (Dream, 2013), the show aims to present four extremely distant practices, mediums, artists and formats. Grounded on stark juxtapositions, both physical and metaphysical, all dreams, all stone invites the viewer to delve into the eerie and captivating, funny and serious, colourful and austere works these four artists present us with.

     

    Dream

     

    Close to the
    door in
    my dream the
    small signs

    I saw a brown
    sign with wisdom
    on it
    I saw a brown
    one leaning
    with wisdom
    on it

    fringe of a mirror
    my mother
    leaning over a pond
    cupping water

    leaning against
    the moulding
    cardboard or
    wood which materials do you

    does your wisdom prefer

    which a-
    partment in a summer
    with someone
    I felt brave to
    have touched
    her love the screen
    door and the dogs
    and the cats always
    getting out. That
    was the fear
    two signs
    fading but recalling
    they had faded like words
    fade in stone because
    of the rain and the days
    and waking and the dream
    is leaving with every
    step leaning over the meat
    because I do not want
    you to have died in vain
    kissing the turkey and
    the neck of  my dog
    all animals am I.
    all dreams, all stone
    all message am I.

     

    Eileen Myles(1)

     

    (1) https://www.poetryfoundation.org/poetrymagazine/poems/
    56627/dream-56d2394c9f8e2
    accessed on 31 May 2023.

  • NEVVEN is proud to present all dreams, all stone, a group show featuring new works by Warsaw based Belarusian artist Lera Dubitskaya, Italian artist Letizia Lucchetti, Swedish artist Emelie Sandström, and two works from the archive of legendary Japanese photographer Toshio Shibata. With Dubitskaya, Lucchetti and Shibata at their first ever exhibition in Sweden, and inspired by a poem by American poet Eileen Myles (Dream, 2013), the show aims to present four extremely distant practices, mediums, artists and formats. Grounded on stark juxtapositions, both physical and metaphysical, all dreams, all stone invites the viewer to delve into the eerie and captivating, funny and serious, colourful and austere works these four artists present us with.

     

    Dream

     

    Close to the
    door in
    my dream the
    small signs

    I saw a brown
    sign with wisdom
    on it
    I saw a brown
    one leaning
    with wisdom
    on it

    fringe of a mirror
    my mother
    leaning over a pond
    cupping water

    leaning against
    the moulding
    cardboard or
    wood which materials do you

    does your wisdom prefer

    which a-
    partment in a summer
    with someone
    I felt brave to
    have touched
    her love the screen
    door and the dogs
    and the cats always
    getting out. That
    was the fear
    two signs
    fading but recalling
    they had faded like words
    fade in stone because
    of the rain and the days
    and waking and the dream
    is leaving with every
    step leaning over the meat
    because I do not want
    you to have died in vain
    kissing the turkey and
    the neck of  my dog
    all animals am I.
    all dreams, all stone
    all message am I.

     

    Eileen Myles(1)

     

    (1) https://www.poetryfoundation.org/poetrymagazine/poems/
    56627/dream-56d2394c9f8e2
    accessed on 31 May 2023.


  • Download the Full Press Release

  • Press

    "all dreams, all stone" at NEVVEN
    Artmirror — Jul 10, 2023

    "all dreams, all stone" at NEVVEN, Göteborg
    Contemporary Art Library — Jun 29, 2023

    Group Show "ALL DREAMS, ALL STONE"
    KubaParis — Jun 28, 2023

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